Review: The Gossip Games by Allie Sarah*

     *I received a copy of this book in eBook format via NetGalley in return for this review. All reviews published on Yours, Chloe are completely honest and my own, and are in now way influenced by the gifting opportunity.

Title: The Gossip Games
Author: Allie Sarah
Genre: Young Adult Romance

Trigger warnings:  Biphobia & Characters Outed By Others.

Rating: 

The Gossip Games is a Young Adult romance which combines both the fake dating trope and the best friend’s sibling trope. Dean is Gracie’s best friend’s brother and when a rumour about them dating starts up around their boarding school, they dare each other to go along with it to see who would give in and reveal the truth first. This really takes a different spin on the usual fake dating stories and sets The Gossip Games apart from other YA novels featuring that trope.

Allie Sarah has done a fantastic job of creating some characters which are far more complex than we often see in YA fiction, which is no mean feat in a debut work. There were other characters which were under-developed but I think this was down to the battle between a lack of page space and the very large number of characters introduced throughout the story, many of whom weren’t really relevant to the overall narrative. I understood the need to world-build somewhat given that it is the first book in the Trinity High Series but it ended up coming across like random characters were being thrown into scenes simply so we’re aware of them prior to a feature in a later story in the series. I’d rather the focus have been more on fully developing the characters that were relevant to this story and a choice made to only introduce other characters as and when they were relevant in later books.

We have strong bisexual and gay representation in the supporting characters and the book explores teenage experiences of coming out in a brilliant way. There is a storyline surrounding a character being outed by a member of their family, which is worth noting if that content is likely to be triggering for you as a reader. We also see a real diverse range of family types which is an important inclusion in the story. There is some good mental health representation through Gracie experiencing panic attacks and my heart melted for the incredible way Dean supported her through them.

I liked Trinity High as the setting for the book – despite the baffling lack of teachers supervising anything the students seem to do – and will be really interested to see how the school is further explored in later books in the series. On top of this, I also thought the Ashcroft family dynamic was a really interesting one and it added a unique element to the story. I would have loved further exploration of the inner-family workings and relationships as all interactions between the Ashcroft adults and teenagers seems rushed but hopefully this is something that can be further explored in later books in the series. With the next book focusing on Jesse, I did wonder if we were going to see a book focusing on each of the Ashcroft teenagers and I do think this would be a lovely direction to take the series in.

The romance between Gracie and Dean was very sweet and a good exploration of first love. Outside of the fake dating plot, their love story is a good example of a slow burn romance and I was really rooting for them. It did feel at times like their romance would have been more fitting in 14/15 year old characters rather than 17/18 year olds as it was quite juvenile at times. I’ve spoken before in previous YA reviews about my passion for the inclusion of sex in YA romances where fitting to the story and I do feel like it was missing from The Gossip Games, particularly given the age of the characters and the number of times in the story that they’re away together without adult supervision. Potential exploration of a first sexual relationship was suggested at the very beginning of the story as the fake dating stems from rumours that Gracie and Dean are sleeping together and Gracie briefly mentions being a virgin in response to this but it’s the last time that sex is really mentioned at all. Whilst this may have been intentional to market the book at younger YA readers, I think a book focusing on the lives of characters on the cusp of adulthood naturally navigates itself towards the older end of the YA demographic who are at a point in their lives where they’re starting to explore sex and relationships. It is therefore important that these themes are also explored in the books they’re reading and a story like The Gossip Games could have been a good platform for this so it is a shame it was completely missed out.

The Gossip Games is a short novel and in trying to keep it short and sweet I think we do miss out on getting an in-depth exploration of some aspects of the story. The fake dating plot is introduced to the story really quickly and it probably would have worked better to have at least a few chapters worth of character development and build up first. Time could also jump forwards suddenly in the middle of the chapter – moving the story on by days or weeks at a time – and this on top of the frequent paragraph breaks mid-conversation to change character perspective really effected the overall flow of the story and made it hard to follow at times.

The writing style and plot points could be quite juveniles at times and some aspects of the plots – such as the storyline involving Blake – were very predictable. I did find some interactions between Dean and Gracie frustrating as they seemed to realise their feelings for each other and then convince themselves they were just friends repeatedly over the course of the story. We had repeated kiss scenes which were clearly just for them and not to further their fake dating story, yet they kept returning to the idea that they had no feelings for each other at all. Although some of this could be put up to teenagers experiencing love for the first time and not knowing what it all means, it did become quite repetitive and I was begging them to just hurry up and realise their feelings.

Overall, The Gossip Games is a good debut YA romance which I know teen readers will love. More mature fans of the YA genre may struggle with some aspects of the storytelling as I did, but if you’re just after a fake dating story which is an easy read and features a cutesy romance than this is the book for you. I teetered between rating the book 3* and 4* as I know that many of the issues I had with the story stem from the fact that I am an adult reader of YA fiction and I do know that teenage Chloe would have adored the book. I’m definitely keen to see where Allie Sarah takes the series and do look forward to reading future works by her.


The Gossip Games by Allie Sarah will be published on 18th April 2023.


Review: Six Times We Almost Kissed (And One Time We Did) by Tess Sharpe*

   *I received a copy of this book in eBook format via NetGalley in return for this review. All reviews published on Yours, Chloe are completely honest and my own, and are in now way influenced by the gifting opportunity.

Title: Six Times We Almost Kissed (And One Time We Did)
Author: Tess Sharpe
Genre: Young Adult /  LGBTQ+ Fiction

Trigger warnings:  Parental Loss, Abuse/Neglect by a parent, Cancer, Parental Illness, Death, PTSD, Suicide Ideation, Anti-Therapy and Anti-Medication Attitudes (from a parent, including therapy denial).

Rating: 

Six Times We Almost Kissed (And One Time We Did) tells the heart-warming coming of age story of Penny and Tate, two girls who have always clashed but whose lives constantly overlap through their mothers who have been best friends since childhood. When Tate’s mum needs a liver transplant, Penny’s mum volunteers to be a live donor and they choose to combine households so the families can support each other physically, emotionally and financially. This means that Penny and Tate are living under the same roof and are forced to address the one thing they keep ignoring: the fact that they keep almost kissing.

Penny and Tate’s story is a beautiful slow burn romance, perfect for fans of the enemies to lovers trope. In Penny and Tate’s love story we also really see the everyone can see it trope as not only do their friends see a spark between them but their mums do too. The book is structured into multiple parts, with each part telling the story of an individual time the pair has almost kissed, gradually building up to them actually kissing and becoming a couple. Structuring the story in this way gave us as readers an insight into the full complicated story of their relationship and how shared experiences have brought them closer together. We also have occasional pages which share text feeds between different characters, particularly between Penny and Tate and between Meghan (Penny’s best friend) and Remington (Tate’s best friend). This breaks up the narrative in quite a light-hearted and often humorous way so was a nice addition to the story.

In Six Times We Almost Kissed we have a story which goes beyond the typical light-hearted love story you’d expect from a YA romance novel. Both girls have had to grow up incredibly quickly and I think Tess Sharpe explores this really well. Tate has had to manage having a single parent with a long-term illness and this has included taking a role in managing the family finances despite only being a teenager. Penny is recovering from the trauma of the water sports accident which injured her and killed her father and interjected within the narrative are occasional chapters which provide a flashback to the events surrounding the accident. This really helps readers to understand the trauma Penny has as a result and the way it has impacted on her relationship with her mum. We see real character development in the character of Penny throughout the story as she learns to stand up to herself against her Mum and demand what she needs in order to be able to start to heal from her trauma. The mental health representation we have in the book through the exploration of the PTSD and trauma Penny has is truly fantastic and a really sets Six Times We Almost Kissed apart from other YA books. As it covers so many hard-hitting topics, the book does have a number of content warnings and I have listed what I consider to be the key ones in the information above. Tess Sharpe posted an in-depth content warning list on her blog, which you can find here.

We have two really strong female leads in Penny and Tate and I instantly warmed to the both of them. Whilst I adored Penny’s love of bullet journalling and the real journey of character development she goes on throughout the book, Tate was my personal favourite character. I found her character really endearing and found it so sweet that she would drop everything whenever Penny needed her. I do wish we’d had more exploration of her passion for swimming though as it became a bit of an insignificant detail in the story.

Although it doesn’t take away from it being a five-star read for me, I did struggle with the structure of the narrative. The story is told through a dual perspective narrative and although I really enjoyed having both Penny and Tate’s perspectives as they provided really distinctive takes on the story, I didn’t like that was no pattern to whose chapter was whose. Whilst traditionally in a dual perspective narrative you might see the chapters alternate, in Six Times We Almost Kissed it flits between perspectives quite willy-nilly. I’m conscious that this is just something which goes against my personal preference and I did get used to it as the book progressed, which is why it hasn’t impacted on my star rating.

Overall, Six Times We Almost Kissed (And One Time We Did) is a beautiful queer love story which is incredibly heart-warming whilst also not being afraid to tackle some really hard-hitting topics. Although it’s a YA novel, I feel that adult readers such as myself can take so much from the story.


Have you read Six Times We Almost Kissed (And One Time We Did)? What did you think?

Review: Lightkeepers by Kennedy Plumb*

    *I received a copy of this book in eBook format via NetGalley in return for this review. All reviews published on Yours, Chloe are completely honest and my own, and are in now way influenced by the gifting opportunity.

Title: Lightkeepers
Author: Kennedy Plumb
Genre: Young Adult Romance / Retelling

Trigger warnings:  Cults, Forced Self Harm, Verbal Sexual Harassment, Emotional Abuse, Physical Abuse, Child Abuse, Kidnapping, Guns

Rating: 

Lightkeepers is a modern retelling of the Disney movie Tangled told through a dual perspective narrative following our two main characters: Zella and Ryder. Seventeen-year-old Zella is trapped in a dangerous cult, kept in isolation in a lighthouse since birth as the first “Child of the Lighthouse” and the daughter of the program’s leader. Ryder is in the foster care system and has been moved around from family to family his entire life. One night, Ryder is seeking shelter and he climbs through the window of a remote lighthouse, straight into Zella’s bedroom. He introduces Zella to life outside the lighthouse and a connection starts to grow between the two of them.

The events of the story take place over the course of a matter of days so the book is fast paced and relatively short. There is a wild twist at the end of the story which I really wasn’t expecting so props to the author. Despite the story taking place over such a short timeframe, there’s still so much character development in both our protagonists and it was a joy to see the characters grow as they spend more time together and start to bring out the best in each other. Despite covering some dark themes, there’s humour woven throughout the story, particularly in the interactions between Ryder and Zella.

Breaking up each chapter is a page sharing something relating to the events of the chapter just gone, utilising a range of different forms of media. This includes documentation about the cult Zella is trapped in, newspaper reports, social media comment streams and little lists Ryder has made. This inclusion is very in keeping with the YA genre and does a wonderful job of supporting world building without taking too much away from the narrative.

I enjoyed the little nods to the Disney film sprinkled throughout the book, such as the use of Eugene as Ryder’s new surname after he’s adopted and the naming of Zella’s cat as ‘Pax’ in tribute to Pascal the chameleon.

Although this may be a retelling of a Disney story, it is quite dark and does covers some difficult subject matter. As a result of this, there are a number of important content warnings I want to signpost people to before reading and you can find these listed at the top of the post.

Both Zella and Ryder are instantly loveable characters who are really genuine and easy to connect with. Between them a beautiful romance blossoms which is the perfect wholesome exploration of first love. Through Ryder’s story we get a really powerful insight into the American foster care system and I particularly enjoyed watching him grow and mature throughout the story.

Our antagonist was ‘Mother’ - aka Zella’s mum and the leader of the cult – and the evil of her character was explored through initially subtle detailing which became more apparent as the book progressed (and as Zella became more disillusioned with the program), building a sense of mounting menace over time. It was a tad easier for Zella to overcome her than I would have liked but it was ultimately in keeping with the genre.

This was my first experience of the world of fairy-tale retellings but I absolutely devoured the story in one sitting and it’s definitely got me hooked on the genre.  


Have you read a good fairy-tale retelling? Leave your recommendations below!

Review: The Last Letter From Paris by Kate Eastham*

 *I received a copy of this book in eBook format via NetGalley in return for this review. All reviews published on Yours, Chloe are completely honest and my own, and are in now way influenced by the gifting opportunity.

Caution - This review does contain spoilers.

Title: The Last Letter From Paris
Author: Kate Eastham
Genre: Historical Fiction

Trigger warnings:  Miscarriage, Infertility, Cancer, Physical Abuse, Violence, Implied Sexual Assault

Rating: 

The Last Letter From Paris tells the story of Cora Mayhew, a First World War foundling who has been adopted by Evie (the nurse who found her) and her husband. All Cora knows about her birth mother was that they shared the same flame red hair, she was French and that she had left Cora with a distinctive necklace. Now an adult, Cora makes the journey from America to France in search of her mother but shortly after arriving the second world war breaks out and she ends up trapped in Nazi occupied France.

One thing that Kate Eastham does do incredibly well in the book is her exploration of the complexities of adoption and also female experiences of miscarriage, stillbirth and infertility. Whilst a historical fiction novel might not be the most obvious setting for exploration of these topics, it’s done in a really clever and powerful way whilst maintaining the main focus of the story. This is primarily explored through occasional chapters focusing on Evie’s experiences stuck in America unable to have any contact with Cora whilst she’s in France. I also really enjoyed the feature of strong female characters connected by shared challenging experiences, through Iris, Evie and Francine and the bond they built working as nurses on different ships. I didn’t realise this until I was researching the book for the purpose of this review but Evie and Iris are actually both characters from another of Kate Eastham’s books ‘The Sea Nurses’ and I’m sure fans of this previous work will appreciate a return to the characters and their stories after the first world war.

We get a fantastic exploration of Paris in the immediate aftermath of the Nazi occupation and I think having our protagonist being an American citizen added a really interesting aspect to the story. Cora is staying with Iris, her mother’s best friend from their time as nurses, but when Iris is arrested by the Nazis on the first day of their occupation, Cora refuses to leave France for the safety of America until Iris is safe. Whilst awaiting news about Iris, Cora gets involved with the French resistance and this leads to a series of events which see her having to flee Paris whilst wanted by the Nazis.

One aspect of the book I struggled with is the lack of closure. We have a beautiful sequence of scenes where Cora finds a newborn baby in a bombed out house and takes on the care of the child, mirroring the scenes of her adoptive mother Evie finding her as a newborn and taking her in. I really enjoyed this plot point as I felt it added a new dimension to the story, setting it apart from the typical ‘resistance member fleeing the Nazis’ storyline that has been done many times before in other historical fiction works. But unfortunately, this aspect of the plot didn’t last very long as Cora leaves the baby with a French woman, in the hope she can get in contact with the baby’s father who is in a POW camp. Whilst I appreciate Cora’s reasoning for doing this, I was disappointed that we’d so quickly lost such a unique aspect to the story and I think that, although it would have taken the story in a completely new direction, the concept of the child being adopted by Cora and taken to England would have been really interesting. Instead, we’re left with the knowledge that the baby is in France and never really hear about her again, which was disappointing to me.

During her escape, Cora meets German soldier Max Heller who offers to help her. Max has family in America and this helps him to form a connection with Cora so he helps to shelter her and the baby she has found and ultimately romance blossoms between them. Whilst I found the idea of Cora, a resistance member and American citizen on the run from the Nazis, falling for a German soldier to be really interesting, I did struggle with aspects of their romance. Ultimately, they spend only a matter of days together yet we’re meant to believe they’ve fallen madly in love, enough that (big spoiler alert) Max would come and find Cora in America after he’s discharged from the army. Their love felt incredibly superficial and I don’t think this was helped by the fact that their time together was squashed into merely a couple of pages, despite Max’s prominent feature in the blurb making us think he’s a key character. This meant that we as readers weren’t granted sufficient time to explore their blossoming relationship and in turn start to root for them. Again this is another plot point which I think is a really interesting concept and could have turned into an interesting book in its own right, but it just wasn’t given the attention it deserved within this story.

I also struggled with the fact that the plot veered so far away from the focus on her finding her birth mother. The opening chapters and blurb of the story focus so significantly on the importance of finding Cora’s birth mother but this is quickly forgotten as the rest of the story plays out. Whilst the resistance work she did and her subsequent arrest by the truly evil Nazi officer Karl Hesser was a really interesting plot point, it felt like a completely different book entirely to the one we’d started about a foundling trying to find her birth mother. The attention was so focused on Cora’s experiences at the hands of Hesser that we don’t hear much about her mother until a casual mention in the closing chapters in what felt like an afterthought attempt to close the storyline. And this mention actually leaves us with more questions rather than answering them. I wish that the story had actually been split into two separate books: one focused on a foundling’s attempt to find her mother and one focused on an American woman working for the French resistance in Nazi occupied France.

The scenes where Cora has been imprisoned by Karl Hesser and is both drugged and physically assaulted were gripping but slightly fantastical as it seemed incredibly unlikely that the one officer who has a vengeance against Cora would happen to show up in the location she had fled to. Cora’s survival was ultimately completely down to the help of other people and this was a shame as earlier points had hinted towards some strong character development from the rather naïve young woman she was at the beginning of the book. It would have been less of an underwhelming ending had Cora escaped the hands of Hesser of her own accord.

Overall, The Last Letter From Paris is an easy-to-read novel which is well paced and definitely packed full of action, if you can by pass the fantastical elements and underwhelming lack of overall closure. I really wanted to love this book and felt it had such potential but it unfortunately missed the mark for me.

Review: Sorry, Bro by Taleen Voskuni*

 *I received a copy of this book in eBook format via NetGalley in return for this review. All reviews published on Yours, Chloe are completely honest and my own, and are in now way influenced by the gifting opportunity.

Title: Sorry, Bro
Author: Taleen Voskuni
Genre: Romance /  LGBTQ+ Fiction

Trigger warnings:  Parental loss, Alcoholism, Car Accident, Workplace Sexism and Misogyny, Forced Coming Out, Biphobia and Homophobia

Rating: 

When Nar’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance.

Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Facebook-stalked Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or wealthy engineer who catches her eye—it’s Erebuni, a woman as equally immersed in the witchy arts as she is in preserving Armenian identity. Suddenly, with Erebuni as her wingwoman, the events feel like far less of a chore, and much more of an adventure. Who knew cooking up kuftes together could be so . . . sexy?


Erebuni helps Nar see the beauty of their shared culture and makes her feel understood in a way she never has before. But there’s one teeny problem: Nar’s not exactly out as bisexual. The clock is ticking on Nar’s double life, though—the closing event banquet is coming up, and her entire extended family will be there, along with Erebuni. Her worlds will inevitably collide, but Nar is determined to be brave, determined to claim her happiness: proudly Armenian, proudly bisexual, and proudly herself for the first time in her life.


Sorry, Bro tells the story of Nareh, an Armenian American woman who breaks up with her long-term boyfriend in the opening chapters of the story and then goes on a journey of self-discovery and ultimately self-acceptance, exploring both her bisexual identity and her identity as an Armenian American woman. Giving in to her mother’s insistence that she settles down with a nice Armenian boy, Nareh attends a local festival called 'Explore Armenia' with the aim of meeting some of the men on her mother’s approved list. But instead she meets Erebuni, a young bisexual woman fully in touch with her Armenian heritage who helps Nareh to explore her identity as both a queer woman and an Armenian. In Erebuni, Taleen Voskuni has created the love interest of queer fiction dreams and fellow fans of the friends to lovers trope will adore watching their friendship blossom into love.

Sorry, Bro explore societal attitudes to bisexuality in a really powerful way and much of the conflict in the story comes from Nareh being torn between her blossoming love for Erebuni and the fact that she’s not ‘out’ to her family.  The book also features parental loss and parental alcoholism in a subtle yet powerful way, exploring how the trauma of loosing a parent in a drink driving accident continues to have on Nareh's life even years later.

Although Sorry, Bro is at heart a beautiful queer romance, it isn’t all light-hearted as it also explores Armenian culture in depth and provides an important political commentary on American attitudes to the Armenian genocide. The author’s love of her heritage and culture seeps through the pages of the book and although I came to Sorry, Bro with very little knowledge of Armenian culture and history, reading such a beautiful exploration has inspired me to educate myself further on both Armenian culture and the history of Armenian Genocide.

I would also like to take a moment to praise the beautiful cover art and chapter title pages in Sorry, Bro. The cover is minimalist but captures the story perfectly. Each chapter opens with an Armenian proverb and a beautifully decorated page. It was a small simple touch but really helped to immerse us into Armenian culture.

My one criticism of the book would be the title. Whilst I understand the choice of ‘Sorry, Bro’ as it’s a phrase repeated throughout the narrative, I felt the book was deserving of a richer title which was more in tune with the themes of the story. But this is a minor detail that really hasn’t taken away from the book’s status as a definite five star read.

Taleen Voskuni writes in such a beautiful way and creates characters with such depth and charm that it’s hard to believe this is her debut work. Humour is woven seamlessly into the story and she writes an engaging well-paced narrative which I found easy to devour in one sitting. Whilst I can’t put my finger on how a sequel could take place and where it could fit into Nareh and Erebuni’s love story, I don’t feel ready to part with such wonderful characters so I’d be one of the first to preorder a second book. But whether it’s through a return to Nareh’s world or in a new fictional universe, I can’t wait to read more works from Taleen Voskuni, she is definitely an author to watch.

Have you read Sorry, Bro? What did you think? Or can you recommend any other books with good bisexual representation?

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